If, as Karen Barad reminds us, we do not stand apart from the world we seek to know, then art–science collaborations are not mere exchanges of information but sites of intra-action—where bodies, technologies, microbes, and cosmic forces co-produce understanding. Laura Splan traces the aesthetics of molecules; Sue Huang mourns and reimagines ecological futures; Janet Biggs journeys to extreme terrains—physical and psychological—to probe the limits of perception; and Gal Nissim constructs portals for interspecies translation. Together, they model a practice in which knowledge is felt, not just proven; where data carries intimacy; and research becomes storytelling. Art–Science Intra-Action invites audiences into a shared laboratory of imagination, ethics, and planetary entanglement.
