PROJECTS

laser etchings on paper with brainwave patterns included in exhibition examining paradigm shifts in printmaking

immersive planetarium experience combining micro and macro worlds with animation and sound created in collaboration with theoretical biophysicist Adam Lamson

group exhibition that examines the intersections of science and art through contemporary art practice

animations, soundscapes, and prints created with computational simulation and AI images generated from scientific texts

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

private preview of immersive installation presenting animation and sound work in progress from "Sticky Settings" collaboration

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

lace virus series in exhibition exploring notions of eternity through art, science, medicine, and technology

digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

molecular animations created with 3D models of SARS included in exhibition exploring expanded interpretations of lace

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

animations and prints created with molecular models of the coronavirus spike protein

remote sound collaborations with biotech workers and scientists rematerializing the coronavirus mRNA sequence

animations created with screen recordings of software performances using molecular visualization software

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

3D-printed sculptures with data-driven forms created with EMG measurements of facial expressions

selected work from Thoma Foundation digital art collection with Laura Splan, Beryl Korot, Vera Molnar, Steina Vasulka

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

laser etchings on paper with data-driven patterns generated from biometric measurements of attention level

participatory sculpture with computer generated animation and text

biometric performance sculpture with motorized music box actuated by electromyography (EMG) data from bicep

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

collages assembled from hand-cut pieces of pseudoscientific and aspirational adspeak in magazine ads

collages made from hand-cut pieces of pseudoscientific magazine ads

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles taken from adspeak

magazine collages using pseudo-scientific and pseudo-spiritual ads and hand-built ceramics with titles taken from adspeak

collages assembled from hand-cut pieces of pseudo-spiritual imagery in magazine ads with titles taken from adspeak

website with live generative text animation using adspeak language culled from real beauty products

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

graphite drawings and computer generated soundscape created from spam email subject headings

photographic light boxes with digitally composited X-rays created from found images

graphite drawings with soap bubble residue commissioned for exhibition about disease prevention and public health

watercolor paintings with blood

drawings on watercolor paper rendered with blood

paintings with varying dilutions of blood stenciled through doilies onto watercolor paper

paintings with blood on watercolor paper

drawing of lace rendered in blood

handmade wallpaper printed with blood and sculpture made from facial peel in exhibition exploring materials and craft

computerized embroidery on sculpture made from remnant cosmetic facial peel

computerized embroidery on remnant cosmetic facial peel with tear duct anatomy as decorative motif

remnant cosmetic facial peel sculptures cast from artist's hands

installation of tactile lace viruses and facial peel sculptures commissioned for exhibition about disability and female identity

photographs of speculative medical apparatus hand-knit into intravenous scarf from clear vinyl tubing

participatory sound sculpture with 25-foot long stethoscope

silicon rubber sculptures cast from test tubes

hand-knit textiles sculpture with large-scale photographic portraits that reimagines the institutional hospital gown

hand latch hooked soft sculptures of oversized antipsychotic and antidepressant pills