Science, Biology, Biotechnology

vinyl edition produced in collaboration with KamranV of CyKiK layering Adam Lamson’s data sonifications with guitar by Frank Masciocchi and vocals by Jared Warren

work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab

immersive planetarium experience combining micro and macro worlds with animation and sound created in collaboration with theoretical biophysicist Adam Lamson

group exhibition that examines the intersections of science and art through contemporary art practice

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

private preview of immersive installation presenting animation and sound work in progress from "Sticky Settings" collaboration

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

animations, soundscapes, and prints created with computational simulation and AI images generated from scientific texts

weavings depicting computer-generated visualizations of computational simulations of biophysical interactions

lace virus series in exhibition exploring notions of eternity through art, science, medicine, and technology

molecular animations created with 3D models of SARS included in exhibition exploring expanded interpretations of lace

data-driven molecular animations using COVID data featured in new media art exhibition

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

molecular animations projected onto the Museum of Illusions for street festival

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

screening of molecular animations with sound screened during Pre-Show at Drive-In Movie theater

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

remote sound collaborations with biotech workers and scientists rematerializing the coronavirus mRNA sequence

animations and prints created with molecular models of the coronavirus spike protein

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

computerized Jacquard weavings with biometric data patterns included in exhibition of artwork that transforms human movement

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

solo exhibition with biometric data driven artworks including weavings, etchings, sculptures and prints

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"

participatory sculpture with computer generated animation and text

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

graphite drawings with soap bubble residue commissioned for exhibition about disease prevention and public health

hand-cut collages made from pseudoscientific magazine ads with hand-built ceramics depicting ad imagery

computerized embroidery on sculpture made from remnant cosmetic facial peel

digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)

drawings of neuroanatomical structures rendered in blood

watercolor paintings of viruses rendered in blood on paper

latch hook soft sculptures depicting microbes

silicon rubber sculptures cast from test tubes