multimedia performance screening exploring the "ambient labor" of instrumentalized bodies through speculations on computational futures
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"Cryptic Lineages" Performance Screening at Museum of the Moving Image

multimedia performance screening exploring the "ambient labor" of instrumentalized bodies through speculations on computational futures

Cryptic Lineages
Friday, June 13, 2025 at 7:00pm
Multimedia performance screening
with choreography by Mary John Frank performed by Sayer Mansfield
Commission for Reframe supported by the National Endowment for the Arts
Curated by Regina Harsanyi
Museum of the Moving Image
Astoria, NY

DOWNLOAD EVENT PROGRAM (PDF)

Museum of the Moving Image Event Page

“Cryptic Lineages” explores emerging AI technologies through an expansive body of work that includes performance, installation, video, sound, sculpture, and prints. The project premiered at the Museum of the Moving Image as a theatrical performance screening featuring projection, live vocalizations, and choreographed movements. A sensuous AI-generated video underlies a haunting narration read using an AI clone of Splan’s voice. The narration is accompanied by a data-driven ambient soundscape created with machine learning technology and simulated muscle movement data. Together, these elements interweave science and fiction through speculations on a future generated by the detritus of the past.

Using “physical reservoir computing” as a conceptual scaffold, “Cryptic Lineages” delves into the use of liquid, microbes, plants, and human bodies to perform computational processing and machine learning tasks. Drawing upon real scientific experiments using water, bacteria, strawberries, and living tissue to process information, the work interrogates the increasingly porous boundaries between the computational and the biological. A fantastical narrative unfolds where even the metabolic activity of wastewater becomes a reservoir for modeling and predicting disaster in a posthuman landscape shaped by late-stage capitalism. The work confronts the sociopolitical complexities of harnessing the intrinsic processes of dynamical systems to predict changes, forecast events, or detect anomalous behavior. Themes of energy, labor, and the instrumentalization of bodies offer poetic reflections on how our cultural constructions of "nature" and the "individual" might shape—and be reshaped by—the future of computing and artificial intelligence.

“Cryptic Lineages” explores emerging AI technologies through an expansive body of work that includes performance, installation, video, sound, sculpture, and prints. The project premiered at the Museum of the Moving Image as a theatrical performance screening featuring projection, live vocalizations, and choreographed movements. A sensuous AI-generated video underlies a haunting narration read using an AI clone of Splan’s voice. The narration is accompanied by a data-driven ambient soundscape created with machine learning technology and simulated muscle movement data. Together, these elements interweave science and fiction through speculations on a future generated by the detritus of the past.

Using “physical reservoir computing” as a conceptual scaffold, “Cryptic Lineages” delves into the use of liquid, microbes, plants, and human bodies to perform computational processing and machine learning tasks. Drawing upon real scientific experiments using water, bacteria, strawberries, and living tissue to process information, the work interrogates the increasingly porous boundaries between the computational and the biological. A fantastical narrative unfolds where even the metabolic activity of wastewater becomes a reservoir for modeling and predicting disaster in a posthuman landscape shaped by late-stage capitalism. The work confronts the sociopolitical complexities of harnessing the intrinsic processes of dynamical systems to predict changes, forecast events, or detect anomalous behavior. Themes of energy, labor, and the instrumentalization of bodies offer poetic reflections on how our cultural constructions of "nature" and the "individual" might shape—and be reshaped by—the future of computing and artificial intelligence.

SELECTED RESEARCH SOURCES

...Laura Splan is one of those artists whose practice seems to exist in permanent yet productive contradiction: a transdisciplinary artist that translates the invisible substrates of biological life into sensory, touchable, sometimes unsettling forms, from computer-embroidered lace viruses, weavings derived from biometric data, and immersive encounters with molecular simulations. The work insists that the complexity of the biological world can be felt and experienced, even before it is fully understood...

Ill Angles Only
Danielle Ezzo
Museum of the Moving Image

MoMI PRODUCTION TEAM: Fred Baez, Chief Projectionist & Audio Visual Technician / Stuart Andrew Dodson, Second Projectionist, Audiovisual Technician / Matthaeus Choo Tung, Graphic Designer

ADDITIONAL PRODUCTION SUPPORT: Dance Tech Collective, Maud Acheampong, Reuben Lorch-Miller

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