Posthumanities

soundscape from limited edition vinyl box set in exhibition of spatial sound artworks by Laura Splan, Ivy Fu, Micah Silver...

exhibition at Resonant Gallery with artists Laura Splan, Shana Moulton, Sabrina Ratté, Virginia L. Montgomery, Nikita Diakur...

multimedia performance screening exploring the "ambient labor" of instrumentalized bodies through speculations on computational futures

ON VIEW (NYC)—AI-generated video and sound exploring how cultural constructions of the "natural" and the "individual" are shaped by the computational

kaleidoscopic molecular animations featured on New York City's High Line

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

special morning performance screening of "A Guided Sublimation" for the Biodesign Summit at ‍Museum of Modern Art (MoMA)

AT THE NEW MUSEUM: artist book with meditative text and kaleidoscopic images exploring epigenetic connections across micro and macro scales

immersive 360° installation with molecular animation and data-driven spatial sound

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

exhibition exploring notions of eternity with Laura Splan, Anna Dumitriu, Andrea Galvani, Mark Dion, Rineke Dijkstra, William Kentridge...

data-driven molecular animations using COVID data featured in new media art exhibition

immersive haptic sound installation with tactile rug made from laboratory animal fiber exploring remote sensing

installation for Second Sundays with Laura Splan, Tin & Ed, Lauren Lee McCarthy, Alexandra Bell, Lizzi Bougatsos...

molecular animations projected onto the Museum of Illusions for street festival

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

interventions exploring theme of “trauma” for triennial with Laura Splan, Adrián Villar Rojas, Hans Op de Beeck, Henrique Oliveira, Héctor Zamora, Nnenna Okore...

triptych sculpture with synchronous animation of 3D molecular models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

3D animations created with molecular visualization software and models of viral proteins

immersive installation with molecular animations and soundscape exploring remote intimacies

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

archival pigment prints created with molecular models of coronavirus spike protein

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

fan networked to wind data at vivarium housing animals who produce pharmaceutical products exploring embodiment

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

infinite video loop of cell suspension technique in biotech laboratory

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

solo exhibition exploring embodiment, emotion and affect through biometric data driven artworks

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"

group exhibition exploring the mediated world's impact on and relationship to the physical body in our increasingly virtual realm

collages made from hand-cut pieces of pseudoscientific magazine ads

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

graphite drawings and computer generated soundscape created from spam email subject headings

computerized embroidery on sculpture made from remnant cosmetic facial peel

hand-crafted speculative sculptures with accompanying performance video