Biopolitics

exhibition at Resonant Gallery with artists Laura Splan, Shana Moulton, Sabrina Ratté, Virginia L. Montgomery, Nikita Diakur...

multimedia performance screening exploring the "ambient labor" of instrumentalized bodies through speculations on computational futures

AI-generated video and sound exploring how cultural constructions of the "natural" and the "individual" are shaped by the computational

kaleidoscopic molecular animations featured on New York City's High Line

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

immersive interactive installation exploring social and biological interconnectedness through emergent visitor behavior

exhibition tracing subcultures and avant-garde practices featuring Laura Splan, Allyson Shaw, Miranda July, Tammy Rae Carland...

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

immersive 360° installation with molecular animation and data-driven spatial sound

exhibition exploring notions of eternity with Laura Splan, Anna Dumitriu, Andrea Galvani, Mark Dion, Rineke Dijkstra, William Kentridge...

data-driven molecular animations using COVID data featured in new media art exhibition

electronic art exhibition with Laura Splan, Lauren Lee McCarthy, Sofia Crespo, Marina Núñez, Robertina Šebjanič, Nick Montfort...

short story about long silences in the emergence of the HIV/AIDS epidemic

installation for Second Sundays with Laura Splan, Tin & Ed, Lauren Lee McCarthy, Alexandra Bell, Lizzi Bougatsos...

molecular animations projected onto the Museum of Illusions for street festival

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

fundraiser series of coronavirus masks responding to the politicization of care during the COVID pandemic

animations created with molecular models of the coronavirus spike protein

immersive installation with molecular animations and soundscape exploring remote intimacies

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

archival pigment prints created with molecular models of coronavirus spike protein

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

fan networked to wind data at vivarium housing animals who produce pharmaceutical products exploring embodiment

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"

group exhibition exploring the mediated world's impact on and relationship to the physical body in our increasingly virtual realm

participatory sculpture with computer generated animation and text

installation in exhibition with Laura Splan, Keith Haring, Frank Moore, Robert Farber, Mike Hoolboom, Frederick Weston...

braided stethoscope and other speculative medical device artworks in "Gone Viral: Medical Science and Contemporary Textile Art"

magazine collages using pseudo-scientific and pseudo-spiritual ads and hand-built ceramics with titles taken from adspeak

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles taken from adspeak

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

graphite drawing on watercolor paper

hand-cut collages made from pseudoscientific magazine ads with hand-built ceramics depicting ad imagery

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles from adspeak

graphite drawings and computer generated soundscape created from spam email subject headings

hand embroidery of text on remnant cosmetic facial skin peel

computerized embroidery on sculpture made from remnant cosmetic facial peel

textile sculptures in exhibition with Laura Splan, Rebecca Horn, Nancy Fried, Harriet Sanderson, Judith Scott...

hand-crafted speculative sculptures with accompanying performance video

participatory sound sculpture with 25-foot long stethoscope

photographs of speculative medical apparatus hand-knit into intravenous scarf from clear vinyl tubing

hand-knit textiles sculpture with large-scale photographic portraits that reimagines the institutional hospital gown

latch hook soft sculptures depicting microbes

installation including photographs and a hand-knit vinyl tubing sculpture that is continuously pumped with blue liquid

silicon rubber sculptures cast from test tubes

hand latch hooked soft sculptures of oversized antipsychotic and antidepressant pills