Biopolitics

interdisciplinary collaboration for "Future Tense: Art, Complexity, and Uncertainty" at Beall Center for Art+Technology for Getty PST: Art + Science Series

"Beehive" (1993–1996) collaboration with Allyson Shaw included in exhibition documenting zines’ relationship to subcultures and avant-garde practices, from punk to conceptual, queer, and feminist art

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

private preview of immersive installation presenting animation and sound work in progress from "Sticky Settings" collaboration

lace virus series in exhibition exploring notions of eternity through art, science, medicine, and technology

data-driven molecular animations using COVID data featured in new media art exhibition

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

short story about long silences in the emergence of the HIV/AIDS epidemic

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

molecular animations projected onto the Museum of Illusions for street festival

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

fundraiser series of coronavirus masks responding to the politicization of care during the COVID pandemic

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations and prints created with molecular models of the coronavirus spike protein

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"

group exhibition exploring the mediated world's impact on and relationship to the physical body in our increasingly virtual realm

participatory sculpture with computer generated animation and text

multimedia installation with sculptures and works on paper commissioned for exhibition about representations of HIV/AIDS

magazine collages using pseudo-scientific and pseudo-spiritual ads and hand-built ceramics with titles taken from adspeak

braided stethoscope and other speculative medical device artworks in "Gone Viral: Medical Science and Contemporary Textile Art"

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles taken from adspeak

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

graphite drawing on watercolor paper

hand-cut collages made from pseudoscientific magazine ads with hand-built ceramics depicting ad imagery

collages assembled from hand-cut pieces of pseudoscientific and pseudospiritual magazine ads with titles from adspeak

graphite drawings and computer generated soundscape created from spam email subject headings

hand embroidery of text on remnant cosmetic facial skin peel

computerized embroidery on sculpture made from remnant cosmetic facial peel

installation of tactile lace viruses and facial peel sculptures commissioned for exhibition about disability and female identity

hand-crafted speculative sculptures with accompanying performance video

participatory sound sculpture with 25-foot long stethoscope

photographs of speculative medical apparatus hand-knit into intravenous scarf from clear vinyl tubing

hand-knit textiles sculpture with large-scale photographic portraits that reimagines the institutional hospital gown

latch hook soft sculptures depicting microbes

installation including photographs and a hand-knit vinyl tubing sculpture that is continuously pumped with blue liquid

silicon rubber sculptures cast from test tubes

hand latch hooked soft sculptures of oversized antipsychotic and antidepressant pills