Interspecies, Multispecies

work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

data-driven molecular animations using COVID data featured in new media art exhibition

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation