Interspecies, Multispecies

NEW WORK: robotically carved marble sculpture exploring molecular "microdramas" among fungal worlds and built environments

work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

data-driven molecular animations using COVID data featured in new media art exhibition

electronic art exhibition with Laura Splan, Lauren Lee McCarthy, Sofia Crespo, Marina Núñez, Robertina Šebjanič, Nick Montfort...

immersive haptic sound installation with tactile rug made from laboratory animal fiber exploring remote sensing

installation for Second Sundays with Laura Splan, Tin & Ed, Lauren Lee McCarthy, Alexandra Bell, Lizzi Bougatsos...

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

interventions exploring theme of “trauma” for triennial with Laura Splan, Adrián Villar Rojas, Hans Op de Beeck, Henrique Oliveira, Héctor Zamora, Nnenna Okore...

triptych sculpture with synchronous animation of 3D molecular models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

immersive installation with molecular animations and soundscape exploring remote intimacies

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

fan networked to wind data at vivarium housing animals who produce pharmaceutical products exploring embodiment

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation