Electronic Art

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

data-driven molecular animation commissioned for International Symposium on Electronic Art (ISEA) at Santa Mònica Arts Centre

exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

triptych sculpture with 3-channel synchronous animation of 3D models (coronavirus, human cells, non-human antibodies) created using models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

animations created with screen recordings of software performances using molecular visualization software

remote sound collaborations with biotech workers and scientists rematerializing the coronavirus mRNA sequence

animations and prints created with molecular models of the coronavirus spike protein

fan networked to wind data at vivarium that houses animals who produce biological products for human drugs

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

neon sign exploring uncertainty and anticipation with quote from scientist waiting for laboratory experiment

tactile installation with fiber from laboratory alpacas and video performance of carding and spinning

selected work from Thoma Foundation digital art collection with Laura Splan, Beryl Korot, Vera Molnar, Steina Vasulka

biometric performance collaboration with heart rate data-driven sound by Hari Stojan and visuals by Iulia Miruna Radu

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

participatory sculpture with computer generated animation and text

drawing performance with solar-powered instruments using charcoal from previous night's campfire at ReCreate Residency

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

website with live generative text animation using adspeak language culled from real beauty products

photographic light boxes with digitally composited X-rays created from found images

video exploring visceral abstraction through symmetry and blood

installation including photographs and a hand-knit vinyl tubing sculpture that is continuously pumped with blue liquid