Entanglement, Complexity

robotically carved marble sculptures by Laura Splan, Auriea Harvey, Phillip K. Smith III, Carla Gannis, Ashley Zelinskie...

NEW WORK: robotically carved marble sculpture exploring molecular "microdramas" among fungal worlds and built environments

limited edition box set with double vinyl LP and chromogenic print portfolio

immersive interactive installation exploring social and biological interconnectedness through emergent visitor behavior

special morning performance screening of "A Guided Sublimation" for the Biodesign Summit at ‍Museum of Modern Art (MoMA)

work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab

AT THE NEW MUSEUM: artist book with meditative text and kaleidoscopic images exploring epigenetic connections across micro and macro scales

immersive planetarium experience with molecular animations, spatial sound, scent, and custom star projections exploring magnitudes of interconnectedness

exhibition examining intersections of science & art with Laura Splan, Catherine Chalmers, David S. Goodsell, Elizabeth Hénaff...

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

research collaboration and work in progress for NEW INC Artist Residency at EY exploring extended reality technologies (XR/VR/AR)

immersive 360° installation with molecular animation and data-driven spatial sound

3D animations with molecular models and AI-generated images, accompanied by sonifications of scientific visualizations

data-driven 3D animation and sound exploring ecological entanglements connecting environment and gene expression

woven molecular visualizations exploring the "tactical tactile" through intuitive material engagement with complexity

data-driven molecular animations using COVID data featured in new media art exhibition

electronic art exhibition with Laura Splan, Lauren Lee McCarthy, Sofia Crespo, Marina Núñez, Robertina Šebjanič, Nick Montfort...

immersive haptic sound installation with tactile rug made from laboratory animal fiber exploring remote sensing

installation for Second Sundays with Laura Splan, Tin & Ed, Lauren Lee McCarthy, Alexandra Bell, Lizzi Bougatsos...

molecular animations projected onto the Museum of Illusions for street festival

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

triptych sculpture with synchronous animation of 3D molecular models of the coronavirus, human cells, and non-human antibodies

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations included in exhibition reimagining the digital archive in the face of a global pandemic & social justice movement

immersive installation with molecular animations and soundscape exploring remote intimacies

participatory textiles collaboration with recorded Zoom performances and hand-made weavings

animations created with screen recordings of software performances using molecular visualization software

remote sound collaborations with biotech workers and scientists rematerializing the coronavirus mRNA sequence

participatory haptic sound and textiles sculpture with rug made from hand-spun laboratory animal fiber

networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science

fan networked to wind data at vivarium housing animals who produce pharmaceutical products exploring embodiment

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

biometric performance sculpture with motorized music box actuated by electromyography (EMG) data from bicep

participatory sculpture with computer generated animation and text