Recursion, Loops

molecular animations created with 3D models of SARS included in exhibition exploring expanded interpretations of lace

data-driven molecular animations using COVID data featured in new media art exhibition

artworks created with biometric data in exhibition exploring how technology expands our ability to perceive the natural world

installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

site-specific intervention commissioned for Bruges Triennial with animations and sculptures exploring theme of “trauma”

installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations and prints created with molecular models of the coronavirus spike protein

computerized Jacquard weavings with biometric data patterns included in exhibition of artwork that transforms human movement

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

motorized wind chime sound sculpture with laboratory animal fiber and orphaned keys

artworks rematerializing the invisible included in exhibition exploring intersections of art and science

installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience

solo exhibition exploring embodiment, emotion and affect through biometric data driven artworks

giclée prints with computer generated & hand-manipulated patterns made with electromyography data

computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement

biometric performance with motorized sculpture and sound actuated by heartbeat of knitter

collages assembled from hand-cut pieces of pseudoscientific and aspirational adspeak in magazine ads

participatory sculpture with computer generated animation and text

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

website with live generative text animation using adspeak language culled from real beauty products

video exploring visceral abstraction through symmetry and blood