Laura Splan
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PROJECTS
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Interaction, Interface
Group Exhibition
Embodied Objects in "Electric Op" at Buffalo AKG Art Museum
"Embodied Objects" computerized weavings with electromyography data-drive patterns in "Electric Op" at Buffalo AKG Art Museum
2024
Solo Exhibition
Metafrictions Preview at Onassis ONX
work in progress preview of extended reality collaborations presented by NEW INC and EY Metaverse Lab
2024
Writing
Syndemic Sublime: Rematerializing the Expanded Biotechnological Apparatus in the Age of Remote Intimacy and Immediate Precarity
essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)
2023
Artwork
Metafrictions
research collaboration and work in progress for NEW INC Artist Residency at EY exploring extended reality technologies (XR/VR/AR)
2023
Solo Exhibition
Rhapsody for an Expanded Biotechnological Apparatus at the Tang
exhibition at Tang Museum with participatory haptic sound installation and rug made from laboratory animal fiber
2021
Group Exhibition
Syndemic Sublime in "Second Sundays" at Pioneer Works
installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape
2021
Solo Exhibition
Entangled Entities at The New Gallery
installation with sensory experiences exploring interspecies entanglement through networked devices and tactile sculpture
2021
Artwork
Denatured
animations created with screen recordings of software performances using molecular visualization software
2020
Artwork
Remote Entanglements
fan networked to wind data at vivarium that houses animals who produce biological products for human drugs
2019
Artwork
Contested Territories
networked laboratory mixers containing llama feces activated by Twitter activity relating to the contested status of science
2019
Artwork
Boundary
entryway with hand-spun laboratory llama fiber and text excerpt using immigration metaphor to explain biology
2019
Solo Exhibition
Embodied Objects at Occurrence
installation with digitally fabricated weavings, prints, and sculptures exploring the rematerialization of bodily experience
2018
Group Exhibition
Squint in "Code as Form" at Thoma Foundation
selected work from Thoma Foundation digital art collection with Laura Splan, Beryl Korot, Vera Molnar, Steina Vasulka
2017
Artwork
Embodied Objects
computerized Jacquard weavings with data-driven patterns created with EMG recordings of bodily movement
2016
Artwork
Material Expressions No. 1
biometric performance sculpture with motorized music box actuated by electromyography (EMG) data from bicep
2016
Artwork
Metronome
biometric performance collaboration with heart rate data-driven sound by Hari Stojan and visuals by Iulia Miruna Radu
2016
Artwork
Material Expressions No. 2
biometric performance with motorized sculpture and sound actuated by heartbeat of knitter
2016
Writing
Manifest: The Role of Science in the Studio
essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"
2015
Artwork
autologousReflection
participatory sculpture with computer generated animation and text
2015
Artwork
Collaborations with the Sun
drawing performance with solar-powered instruments using charcoal from previous night's campfire at ReCreate Residency
2014
Artwork
Tongue Depressors & Cotton Swabs
hand-crafted speculative sculptures with accompanying performance video
2002
Artwork
Stethoscope
participatory sound sculpture with 25-foot long stethoscope
2002