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Syndemic Sublime: Rematerializing the Expanded Biotechnological Apparatus in the Age of Remote Intimacy and Immediate Precarity
essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)
Syndemic Sublime in "Second Sundays" at Pioneer Works
installation with animations & networked sculpture exploring interconnected systems in the biotechnological landscape
synchronous molecular animation triptych created with coronavirus, llama nanobody protein models
Unraveling at BioBAT Art Space
BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic
Unraveling and Renatured
animations and prints created with molecular models of the coronavirus spike protein
Needle in a Haystack Book
artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory
Needle in a Haystack
photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab
infinite video loop of cell suspension technique in biotech laboratory
Conformations at Esther Klein Gallery
multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape
Tickling the Bonds
screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models
Manifest: The Role of Science in the Studio
essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"
Doilies (SARS, HIV, Influenza, Herpes, Hepadna)
digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)
watercolor paintings of viruses rendered in blood on paper
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©2023 Laura Splan