Bioart

immersive 360° installation with 16-channel spatial soundscape by Linda Dement and Laura Splan in collaboration with the Cardiovascular Regeneration Group at UTS

essay and artist talk written for "Possibles", the Proceedings of the International Symposium on Electronic Art (ISEA)

installation for Second Sundays with Laura Splan, Tin & Ed, Lauren Lee McCarthy, Alexandra Bell, Lizzi Bougatsos...

synchronous molecular animation triptych created with coronavirus, llama nanobody protein models

animations created with molecular models of the coronavirus spike protein

immersive installation with molecular animations and soundscape exploring remote intimacies

archival pigment prints created with molecular models of coronavirus spike protein

artist book with photographs from a biotech lab documenting mundane artifacts and poetic encounters in biotech laboratory

photographs from a biotech lab documenting mundane artifacts and poetic interfaces in biotech lab

infinite video loop of cell suspension technique in biotech laboratory

multimedia installation exploring hidden systems and invisible labor in the expanded biotechnological landscape

screen-recorded molecular visualization software interaction with alpaca nanobody/ricin models

essay on research-based studio practice at the intersections of art and science for "Art Practical: Art, Science & Wonder"

digitally fabricated lace sculptures depicting viruses (SARS, HIV, Influenza, Herpes, Hepadna)

watercolor paintings of viruses rendered in blood on paper