Feminism, Xenofeminism

"Beehive" (1993–1996) collaboration with Allyson Shaw included in exhibition documenting zines’ relationship to subcultures and avant-garde practices, from punk to conceptual, queer, and feminist art

generative 3D animations using COVID death data to disrupt amino acid residues on intertwined human and non-human proteins

video with AI transcription of remote textiles collaboration included in virtual exhibition reexamining cyberfeminism

BioBAT, immersive installation exploring remote intimacy & hidden materialities during the pandemic

computerized Jacquard weavings with biometric data patterns included in exhibition of artwork that transforms human movement

collages assembled from hand-cut pieces of pseudo-scientific and pseudospiritual magazine ads with titles taken from adspeak

videos that remix the scifi film “The Wasp Woman“ to explore notions of the mad scientist and unnatural transformation

hand-cut collages made from pseudoscientific magazine ads with hand-built ceramics depicting ad imagery

computerized embroidery on sculpture made from remnant cosmetic facial peel

installation of tactile lace viruses and facial peel sculptures commissioned for exhibition about disability and female identity

hand-knit textiles sculpture with large-scale photographic portraits that reimagines the institutional hospital gown