printable pdf resume (3 pages)

EDUCATION
2002  Master of Fine Art, Mills College, Oakland, CA
1995  Bachelor of Art, University of California, Irvine, CA

SELECTED ONE PERSON EXHIBITIONS
2008  Negative Space, medicine FACTORY, Memphis, TN
2007  Sympathetic Coordination, International Museum of Surgical Science, Chicago,IL (Catalog)
2006  Delicate Structures, Innate Forces, Curated by Cynthia Pannucci, (ASCI), The New York Hall of Science, New York, NY
2005  Domesticated Viscera, Richmond Art Center West Gallery, Richmond, CA
          Integrated Bodies, Nathan Larramendy Gallery, Ojai, CA
          Viscera Sera (with Tara Daly), 21 Grand, Oakland, CA
          New Work, Femina Potens Gallery, San Francisco, CA
2004  Reflexive, Build, San Francisco, CA
          Disbursement and Accumulation, Catharine Clark Gallery Project Rooms, San Francisco, CA
2003  Underneath, Adobe Bookshop Window, San Francisco, CA
1999  Marked Territories, with Julia Babiarz, Crucible Steel Gallery, San Francisco, CA
1998  Order/Disorder, Milky World Gallery, Seattle, WA

SELECTED GROUP EXHIBITIONS
2008  Phenomena(l), Spaces, Cleveland, OH
          Reimagining the Distaff Toolkit, Bennington Museum, VT (Catalog)
          Biological Imperative, Gallery Aferro, Newark, N.J. (Catalog)
2007  Under the Skin, Translations Gallery, Denver, CO
          Pricked: Extreme Embroidery, Museum for Art and Design, New York, NY (Catalog)
          Brief Encounters, Caren Golden Fine Art, New York, NY
          Raised in Craftivity, Greenlease Gallery, Rockhurst University, Kansas City, MO          
          Beneath the Skin, Limn Gallery, San Francisco, CA
          The Powder Room, Track 16 Gallery, Santa Monica, CA
          Subjects of Hybridization, 10th Annual Subtle Technologies Festival: in situ: art | body | medicine, University of Toronto. Toronto, Canada
2006  Four Freedoms, Martin Art Gallery, Baker Center for the Arts, Muhlenberg College, Allentown, PA (Catalog, back cover)
          Illegal Art: Freedom of Expression in the Corporate Age , Art & Culture Center Of Hollywood, Hollywood, FL
2005 Trillium Show, SFMOMA Artist’s Gallery, San Francisco, CA
          Synthetic Zero, Synthetic Zero Loft, Bronx, NY
          New American Talent 19, Texas A&M University, College Station, TX
          Kala Fellowship Award Exhibition, Kala Art Instititute, Berkeley, CA
          Intelligent Distribution, Sonoma State University Art Gallery, Rohnert Park, CA
          SubAnatomy, Museum of Contemporary Art at the Luther Burbank Center for the Arts, Santa Rosa, CA (Catalog p.1)
          Monster Drawing Rally, Southern Exposure, San Francisco, CA
          The Winter Life, Galerie SAW Gallery, Ottawa, Ontario, Canada
2004  Finesse, Catharine Clark Gallery, San Francisco, CA
          New American Talent 19, Arthouse, Austin, TX (Catalog p.83)
          New American Talent 19, Texas A&M University, Commerce, TX
          Meat Show, San Francisco Arts Commission Gallery, CA (Catalog pp.4-5)
          Snap to Grid, Los Angeles Center For Digital Art, Los Angeles, CA
          Gen Art SF's 5th Annual NewFangle New Media Art Exhibition, Herbst Internat'l Exhibition Hall, SanFrancisco, CA
          High Fiber, Kala Art Institute Gallery, Berkeley, CA
          Rustic, Build, San Francisco, CA
          State of the Nation, Intersection for the Arts, San Francisco, CA
          Hidden Treasures, Nathan Larramendy Gallery, Ojai, CA
          Blur, the Bekins, Santa Barbara, CA
          Monster Drawing Rally, Southern Exposure, San Francisco, CA
          Underpants Party, New Langton Arts, San Francisco, CA
2003  Introductions South, San Jose Institute of Contemporary Art, San Jose, CA
          Night Moves, New Langton Arts, San Francisco, CA
          Nightworks' Canal Street Projection Project,
New Orleans, LA
          Postcards From the Edge, Galerie Lelong, New York, NY
          EUREKA!: New Works From the Golden State,
Pure Joy, Brooklyn, NY
          Organic, Nathan Larramendy Gallery, Ojai, CA           
          Illegal Art: Freedom of Expression in the Corporate Age, Nexus Gallery, Philadelphia, PA
          Waiting to Happen, The Lexington Club, San Francisco, CA
          Magnify Sense, Build, San Francisco, CA
          [sub]urban, [sub]version, Westinghouse Building Little Tokyo Lofts, Los Angeles, CA
          Daily Special, Catharine Clark Gallery, San Francisco, CA
          life after / afterlife, Delta Axis Gallery, Memphis, TN
          Illegal Art: Freedom of Expression in the Corporate Age, SFMOMA Artist’s Gallery, San Francisco, CA
          Benefit Auction of Fine Photographic Prints, SF Camerawork, San Francisco, CA
          Making Ends Meet, Lucky Tackle, Oakland, CA
          Monster Drawing Rally, Southern Exposure, San Francisco, CA
          Solid Gold, Southern Exposure, San Francisco, CA
          Synthesis, Melting Point Gallery, San Francisco, CA
          Virus, Melting Point Gallery, San Francisco, CA
2002  Cozy, Spanganga Gallery, San Francisco, CA
          Remember When…, New Langton Arts, San Francisco, CA
          Bloodshow, Quotidian Gallery, San Francisco, CA
          Mystery Ball, Headlands Center for the Arts, Sausalito, CA
          Ladyfest, Spring Tower, Los Angeles, CA
          The Tiny Show, Adobe Bookshop, San Francisco, CA
          I/O #3: Skin, Quotidian Gallery, San Francisco, CA
          trepidation, 16march projects, San Francisco, CA
          Bay Area Student Sculpture Biennial, Pacific Rim Sculptors Group, San Francisco, CA
          34th Annual Olive Hyde Textile Exhibit, Olive Hyde Gallery, Fremont, CA
          SoExquisite, Southern Exposure, San Francisco, CA
2001  Murphy & Cadogan Award Exhibition, San Francisco Arts Commission Gallery, CA
          Residual Images, Studio Z Gallery, San Francisco, CA
          Synesthesia, Southern Exposure, San Francisco, CA
          Video Pieces, Mills College, Oakland, CA
          Site Specific Installation for Collaboration with David Tudor Composer-in-Residence: Paul De Marinis, Mills College Concert Hall, Oakland, CA
2000  Fuzzy Logic, Southern Exposure, San Francisco, CA
          The Element of Temporary 2, Cell, San Francisco, CA
          Fabricated To Be Photographed, Calumet Studio, San Francisco, CA
          blueprint, Southern Exposure, San Francisco, CA
          Ladyfest, Arrowspace, Olympia, WA
1999  The Soft Museum, Lump Gallery, Raleigh, NC
          Tender, Southern Exposure, San Francisco, CA
          Shiny, Southern Exposure, San Francisco, CA

BROADCASTS
2008  Checking on the Arts, WKNO, Memphis, TN, Interview by Kacky Walton
2007  Eight Forty-Eight: An Artist's Unconventional Medium, WBEZ Chicago Public Radio, Story by Independent producer Tim Carnahan
2005  Spark: Artist in Search of a Medium, March 2nd and 4th, KQED Channel 9, San Francisco, CA
1999  Inside City Limits, produced by Heather Schultz, TCI Cable Channel 27 (currently Ch. 23), aired August
1997  Artist’s Television, Channel 29, San Francisco, CA

PUBLICATIONS
2006  Sextessense: A Tribute to John Stevens and the SME, compact disc cover art, Winter 2006
2005  3rd Floor: A Portable Artspace, Spring, Issue 2, p.10
          Pearl Necklace, Issue #4 , pp. 64-65
          Surface Design Journal: Machine Embroidery, "Informed Source", Fall 2005, Vol. 30, No. 1, pp. 46-47
2004  Public Library of Science Medicine Journal, November issue, cover
2003  Die Cast Garden: Ground Founds
2002  Die Cast Garden: Paraphysics
1996  Milky, #6, pp. 30-31
1995  Grand Larceny: Reclaiming Stolen Histories, Vol.2, p.37

CATALOGS
2007  Sympathetic Coordination, International Museum of Surgical Science, Chicago, IL
          The Powder Room, Track 16 Gallery, Santa Monica, CA
2006  Four Freedoms, Martin Art Gallery, Baker Center for the Arts, Muhlenberg College, Allentown, PA (back cover)
2005  SubAnatomy, Museum of Contemporary Art at the Luther Burbank Center for the Arts, Santa Rosa, CA, p.1
2004  Meat Show, San Francisco Arts Commission Gallery, San Francisco, CA, pp. 4-5
          New American Talent (with essay by Jerry Saltz), Arthouse at the Jones Center, Contemporary Art for Texas, Austin, TX, p.83

ARTIST RESIDENCIES
2008  medicine FACTORY, Memphis, TN
2004  Kala Art Institute, Berkeley, CA

FELLOWSHIPS, AWARDS, & GRANTS
2007  Jerome Foundation Travel & Study Grant for Visual Arts
2004  Kala Art Institute Fellowship Award
2003  Trillium Fund Grant
2002  Herringer Prize for Excellence in Art
          Mills College Graduate Research Grant
2001  Eklind Fellowship
          Cadogan Fine Arts Fellowship
1995  UC Irvine Chancellor's Scholar
1994  UC Irvine Studio Art Coalition Grant

ARTIST LECTURES
2008  Reflexive, Rhodes College, Memphis, TN
2007  Biology and Art: Two Worlds or One?, New York Academy of Sciences, New York, NY
          Public Lecture Series, Textiles Department, California College of Art, Oakland, CA
2006  Visitig Artist, Graduate Thesis Seminar, Maryland Institute College of Art, Baltimore, MD
2005  Art and Culture Lecture Series, California State Summer School for the Arts, Cal Arts, Valencia, CA
          Domesticated Viscera, Richmond Art Center, Richmond, CA
          Biotechniques Graduate Seminar,
California College of Art, San Francisco, CA
          Anatomy Drawing,
San Francisco Art Institute, San Francisco, CA
          Visiting Artist Talk
, California College of Art, Textiles Department, Oakland, CA
          Fellowship Artist Talk, Kala Art Institute, Berkeley, CA
2004 Soft Sculpture: Fabric and Fiber, St. Mary’s College, Art Department, Moraga, CA
          Exploratorium Brown Bag Lecture Series, San Francisco, CA
2003 Artists’ Presentations: Laura Splan & Philip Ross, SF Camerawork, San Francisco, CA
2002 Photo Fakery, California State University, Hayward, CA
2001 Skin Symposium, Bleeker Studios, Stanford University, Palo Alto, CA

ARTIST PANELS
2007  Pricked: Extreme Embroidery, Museum for Art and Design, New York, NY
2005  Carnal Knowledge, MOCA at the Luther Burbank Center for the Arts, Santa Rosa, CA
2002  Ladyfest Artist Panel, Spring Tower, Los Angeles, CA

PROFESSIONAL TEACHING EXPERIENCE
2008  Instructor for Independent Study, Summer MFA program, San Francisco Art Institute, conducting w/ student in New York, NY, Winter Semester
          Visiting Artist Critiques, Senior Thesis Seminar, Rhodes College, Memphis, TN
2007  Visiting Artist Critiques, Graduate Thesis Seminar, Maryland Institute College of Art, Baltimore, MD
2005  Visiting Artist / Instructor, Electronic Arts, Mills College, Oakland, CA, Spring Semester
          Studio Practice Instructor, California College of Art, San Francisco, CA, Spring Semester
2004  Studio Practice Instructor, California College of Art, San Francisco, CA, Fall Semester

ARTICLES AND REVIEWS
Sood, Sheena, "Extreme Embroidery @ the Museum of Arts and Design", Whitehot Magazine of Contemporary Art, February 2008
Elder, Gaye, "Pricked: Extreme Embroidery," Shuttle Spindle & Dyepot, Winter 2007/2008, pp 28-33

Gill, Leonard,  "Drawing Blood," Memphis Flyer, Issue #986, Jan 17 - 23, 2008
Jackson, Julie, "From Prozac To Skin Peels", Craft, Volume 5, November 2007
Camhi, Leslie, "Let's Get Stitched: A radical take on an old art, 'Pricked' needles the traditional craft of embroidery,Village Voice, November 20, 2007
Self, Dana, “Knit Happens: Raised in Craftivity ain’t your grandma’s crochet work”, The Pitch: Arts & Entertainment, Sept. 20, 2007

Trafton, Robin, “Art review: ‘Raised in Craftivity’ is engaging group show”, The Kansas City Star, Thursday, September 20, 2007
Martin, Stacy, "Test People and Beneath the Skin: Levitation and latch-hook rugs at Limn”, San Francisco Bay Guardian, July 4, 2007

Baker, Kenneth, "The man works wonders with, yes, paint rollers", San Francisco Chronicle, Saturday, June 16, 2007, p. E-1

Obermeyer, Lindsay, “Arts and Sciences”, Fiberarts, Summer 2007 Issue, Vol. 34, No. 1
Ornes, Stephen, "Art: Of Doilies and Disease", Discover Magazine, Reviews, February 2007, pp. 66-67
Gehman, Geoff, “21st-century artists explore FDR’s 1941 freedoms at ‘Berg”, The Morning Call, Thursday, October 26, 2006, pp. 8-9
Valenzuela, América, "Medicina en la galería de arte”, EL MUNDO: Área de Salud, Saturday, October 7, 2006
Mills , Michael, “Il Duce Does Wal-Mart: The Art and Culture Center brims with art that takes liberties with corporate images”,
          Broward-Palm Beach New Times, March 16, 2006

Suppes, Christine, Fashionlines.com, “Embroideries: The act of stitching cloth reflects artists’ play with popular understandings
          about feminine work, gender stereotypes and empowerment”, Fall 2006

Goe, Tara, "The Inside-Out Art of Laura Splan", Kitchen Sink, Vol. 4, Issue 1, 2006, pp.71-75
Wiebe, Stacey, "Body of Art," VC Reporter: Art & Culture, September 22, 2005, pp.23-28

Arnold, Eric K., "Meltdown: Plastic Fantastic," East Bay Express: Scenes, Vol. 27, No. 47, August 31-September 6, 2005, p.24
Berry, Colin, “SubAnatomy and Nathan Lynch: Sweetspot at the Museum of Contemporary Art and the Luther Burbank Center for the Arts,”
          Artweek, July / August 2005, pp.12-13

Valenzuela, América, "CIENCIA ILUSTRADA (II): Los artistas en el laboratorio", El Mundo: MEDICINA, Friday, July 15, 2005
Miles, Todd, "seeing red", 7x7 San Francisco Magazine, May 2005, p.48
Bing, Alison, “Laura Splan: Femina Potens”, SF Gate: Art, March 2005
Bamberger, Alan, "Femina Potens Gallery: Laura Splan", Artbusiness.com, March 9, 2005
Proulx, Mélissa, "Pop Culture: Maux d'hiver", Voir, February 10, 2005
Armstrong, Denis, “SAW takes art to the outdoor people”, The Ottawa Sun, Wednesday, February 2, 2005, p.43
Euteneier, Anita, “SAW Gallery’s Winter Exposure”, Ottawa Xpress, Vol. 12, Issue 2, January 13-19, 2005
Bing, Alison, “Meat Show at the San Francisco Arts Commission Gallery”, Artweek, February 2005, Vol. 36, Issue 1, p.29
Vekic, Natalija, “Catherine Clark brings collectors and media artists together”, Release Print, January/February 2005, Vol. 28, No. 1, pp. 24-25
Buckner, Clark, “Meat Show”, The San Francisco Bay Guardian, Dec. 22-28, 2004, Vol. 39, No. 12
Saldivar, Steve, “This Meat Can’t Be Beat”, The Daily Californian, Thursday, December 2, 2004
Davis, Virginia, “High Fiber”, Fiberarts, November/December 2004, pp. 58-59
Polgar, Robi, "New American Talent – The 19th Exhibition", Austin Chronicle, August 6, 2004
Gagnon, Adrienne, “Linear Thinking: Pen and pencil are the tools of the trade at this group show”, SF Weekly, July 21, 2004
Baker, Kenneth, “Hosfelt Gallery show suggests we’re blinded by information”, San Francisco Chronicle, July 10, 2004, p.E-1
Campbell, Rob, "Natural Refinement: Organic takes art by the roots and (gently) pulls", VC Reporter, December 15, 2003
Woodard, Josef, "All certified Organic", Los Angeles Times, Calendar Weekend, December 4, 2003
Cheng, DeWitt, "Introductions South at the San Jose Institute of Contemporary Art", Artweek, October 2003, Vol. 34, Issue 8
Brenneman, Christine, "Illegal Art at SFMOMA Artists Gallery", Artweek, September 2003, Vol. 34, Issue 7, p.17
Tromble, Meredith, "West Coast", stretcher.org, Wednesday, August 27, 2003
Gaither, Chris, "Art attack", The Boston Globe, July 14, 2003, p.C1
Lidor, Danit, "Artists Just Wanna Be Free", wired.com: Wired News, Jul. 07, 2003
Swanhuyser, Hiya, "Copy Right or Wrong, Freedoom of Expression: Illegal?", SF Weekly, July 2-8, 2003, p.30
Tompkins, J.H., "8 Days a Week: Something in the Air", The San Francisco Bay Guardian, July 2, 2003, pp.66-67
Davis, Chris, "Little Green Anthropologists", Memphis Flyer, p.27, June 12-18, 2003
Tudor, Silke, "House of Tudor: Dusty-voiced troubadours, corporeality explorers, cotton candy jazz, and animalistic toga parties", SF Weekly, December 24, 2002
Helfand, Glen, "Pet And Touch: Two digital artists bring the organic body onto the computer", SF Gate, July 2002
Berry, Colin, "Julia Babiarz and Laura Splan: Marked Territories", bayarea.citysearch.com, August 1999
Archias, Elise, "Critic's Choice", The San Francisco Bay Guardian, Vol. 33, No. 47, August 1999, p.116
Phelps, Margaret, "The Medium is the Message", The San Francisco Chronicle Datebook, August 15-21, 1999, p.21
Natale, Michele, "West Meets East: Two Triangle venues host new West Coast art", Spectator, May 19, 1999, p.17